I'm excited to exhibit at the Oxford Ceramics Fair taking place on 25–26 October 2025!

Organised by the Craft Potters Association, the Oxford Ceramics Fair is one of the UK’s most prestigious events for contemporary ceramics, showcasing work from some of the finest makers in the country.

As I prepare for the fair, I’ll be sharing behind-the-scenes glimpses of the making process, new work in progress, and updates on what I’ll be showing — so keep an eye on Instagram if you'd like a sneak peek.

I’m thrilled to share that my yellow trumpet fish has been selected as a finalist for the David Shepherd Wildlife Foundation’s Wildlife Artist of the Year 2025!

This prestigious international competition received 1,340 entries from 68 countries, and I’m deeply honoured to be selected as one of the finalists. My shortlisted piece, Trumpet Fish, will be exhibited at the Mall Galleries in London, from 9 to 13 September 2025.

Being included in this exhibition is incredibly meaningful to me, not only as an artist but as someone who deeply cares about wildlife and conservation. The David Shepherd Wildlife Foundation does inspiring work to protect endangered species and habitats around the world, and I’m honoured to contribute through my art.

I’m excited to be part of this year’s Celebrating Ceramics — a beautiful outdoor fair set in the lush gardens of Waterperry, near Wheatley, Oxford OX33 1LA.

Join me from 11–13 July 2025, alongside some of the UK’s most talented ceramicists. Come see the latest work, say hello, and enjoy an inspiring day out.

Celebrating Ceramics is one of my favourite events of the year — set in the stunning Waterperry Gardens, it’s the perfect place to explore, meet makers, and find something special.

Learn more about the event and buy tickets here.

Very excited to showcase my vessels at Project Space Gallery, 21 Februarie - 2 Martie 2025.

A new body of work, Rhythm of Grace is a celebration of movement, stillness, and the delicate balance between control and surrender. The pieces here are vessels, but also pauses, moments captured in form, in soft colour and quiet lines, in the subtle shifts of tone that pull you in without demanding attention.

For me, making is about rhythm. It’s about knowing when to push and when to let go. Clay records everything, every hesitation, every moment of focus, every breath. It absorbs presence, reflects energy, and insists on a kind of stillness even as it moves. In the studio, my hands follow a rhythm that is both instinctive and intentional. It is a conversation, a meditation, a way of thinking without words.

Rhythm of Grace is not about statement pieces or grand gestures. It is about what lingers.

The feeling of a form in your hands. The way light moves across the surface. The quiet elegance of simplicity. It is about grace in movement and stillness.

Phantasms – Capturing the Essence, my latest online exhibition, is now live on the Ceramic Sculpture Gallery platform from 14 June to 31 July 2024.

In this collection of sculptures, I invite you to step into a world where the boundaries of time, memory, and the human form blur into impressionistic narratives. Each piece in this exhibition is a fragment of a larger story, a fleeting moment captured in the delicate balance between form and formlessness. My sculptures are less about precise anatomical accuracy and more about evoking the essence of a figure, a mood, or a moment in time.

The mermaid riding a fish, the swimmer poised in mid-stroke, and the man gently petting a cat—these are not merely figures; they are impressions, echoes of the past and visions of the present. The lady laughing in her bed, the decomposing sailor awaiting his ship, and the shepherd lost in the music of his flute all tell tales that transcend the literal. They exist in a space where childhood memories merge with folklore, and where the ephemeral nature of life is both celebrated and mourned.

My artistic language is rooted in impressionism, capturing the essence of a body, a silhouette, a face with spontaneous, intuitive touches. The clay often remains raw, with a coil suggesting an arm or a foot, a random lump of clay forming a head, and a simple dot transforming into an eye. These elements are not sketches but intentional artistic choices designed to encapsulate and freeze the essence of a narrative, a memory, a moment in time. The freedom and spontaneity in my approach are deliberate, allowing me to play with the material in a way that surprises and captures the essence of the story I want to tell.

Phantasms engages with the concept of time not as a linear progression but as a series of moments, fragmented and reassembled. The disintegration of the body in some of the pieces is not meant to evoke decay alone but to highlight the transient nature of existence, the beauty in impermanence. Each sculpture is a storyteller, whispering secrets about the past and hinting at futures yet to come.

This exhibition is a playground of sorts, where I experiment with the physical and symbolic fragmentation of the human form. It is a reflection on how memories are never whole but are instead collections of impressions, fleeting and often incomplete. Through my work, I explore how these fragmented memories and stories can come together to create something new, something that resonates with both personal and collective histories.

In these sculptures, you may see fragments of your own stories, your own memories and dreams. They are meant to be experienced as much with the heart as with the eyes, inviting you to pause and reflect on the ephemeral nature of our existence, the stories we tell, and the memories we hold dear.